The Three Cities Trilogy: Paris, Complete by Zola, Émile, 1840-1902

Having thus dealt with the Trilogy's religious aspects, I would now speak of "Paris," its concluding volume. This is very different from "Lourdes" and "Rome." Whilst recounting the struggles and fate of Abbe Froment and his brother Guillaume, and entering largely into the problem of Capital and Labour, which problem has done so much to turn the masses away from Christianity, it contains many an interesting and valuable picture of the Parisian world at the close of the nineteenth century. It is no guide-book to Paris; but it paints the city's social life, its rich and poor, its scandals and crimes, its work and its pleasures. Among the households to which the reader is introduced are those of a banker, an aged Countess of the old /noblesse/, a cosmopolitan Princess, of a kind that Paris knows only too well, a scientist, a manufacturer, a working mechanician, a priest, an Anarchist, a petty clerk and an actress of a class that so often dishonours the French stage. Science and art and learning and religion, all have their representatives. Then, too, the political world is well to the front. There are honest and unscrupulous Ministers of State, upright and venal deputies, enthusiastic and cautious candidates for power, together with social theoreticians of various schools. And the /blase/, weak-minded man of fashion is here, as well as the young "symbolist" of perverted, degraded mind. The women are of all types, from the most loathsome to the most lovable. Then, too, the journalists are portrayed in such life-like fashion that I might give each of them his real name. And journalism, Parisian journalism, is flagellated, shown as it really is,--if just a few well-conducted organs be excepted,--that is, venal and impudent, mendacious and even petty.

The actual scenes depicted are quite as kaleidoscopic as are the characters in their variety. We enter the banker's gilded saloon and the hovel of the pauper, the busy factory, the priest's retired home and the laboratory of the scientist. We wait in the lobbies of the Chamber of Deputies, and afterwards witness "a great debate"; we penetrate into the private sanctum of a Minister of the Interior; we attend a fashionable wedding at the Madeleine and a first performance at the Comedie Francaise; we dine at the Cafe Anglais and listen to a notorious vocalist in a low music hall at Montmartre; we pursue an Anarchist through the Bois de Boulogne; we slip into the Assize Court and see that Anarchist tried there; we afterwards gaze upon his execution by the guillotine; we are also on the boulevards when the lamps are lighted for a long night of revelry, and we stroll along the quiet streets in the small hours of the morning, when crime and homeless want are prowling round.